
Skullcandy is a brand that has always had interesting ideas, but the company’s dedication to bass above all else has held its products back from being actually good. They were fun, looked interesting, and certainly fulfilled the DJ’s request to ‘turn the bass up’, but they were toys, not serious headphones.
Now that the brand has joined the ‘Bose Sound Program’, all the best parts of what makes Skullcandy special can shine alongside refined, mature audio and good quality noise cancelling.
All that combined makes the Skullcandy Crusher 1080 ANC the most interesting headphones I’ve tried this year, and ones that I wholeheartedly recommend to anyone who loves bass-heavy genres.
Table of contents
- First impressions
- Specifications and price
- Audio quality
- Comfort
- Noise cancelling
- Who is the Skullcandy Crusher 1080 ANC for?
First impressions
Taking them out of the box, I noticed the case, which is like a large dice bag, as well as the aesthetic of the headphones. The physical buttons are comically large, and the dial to control the Crusher effect is large enough to make a statement. It can also be easily controlled while wearing winter gloves.

The cans themselves look a bit cheap and plastic, but feel robust. The cushioning on the cups is plush and soft, covered in vinyl.

Setting them up with my iPhone was easy – I paired them in Bluetooth settings and then opened the app to check for firmware updates. Then I was good to go.
SkullCandy Crusher 1080 ANC specifications and price
| Driver diameter | 36mm |
| Connection Type | Bluetooth 5.3 |
| Impedance | 36멱15% |
| Driver Diameter | 36mm |
| Sound Pressure Level | 122.1±2dB at 100Hz with input 0.190V/1mW |
| Frequency Response | 20Hz -20000Hz |
| Weight | 374.2g |
| Price (RRP) | $399 |
| Warranty | One year in addition to Australian consumer law rights |
| Official website | Skullcandy Australia |
On top of that, the battery life is an impressive 60 hours (without ANC or Crusher), and the sound has been tuned by Bose.
Audio quality
I will fully admit that I went into reviewing this pair of headphones assuming they would be a gimmick and nothing more. I reviewed the previous Crusher Evo model and found it to be a novelty, but not a pair of headphones you could take seriously.
Well, I am delighted to have been proved wrong. I actually, shockingly, love these headphones. They’re what I reach for when I want to get hyped up and listen to music with gusto.
Part of that is down to how Bose has tuned the audio. I find it fascinating how Bose is now branching out to give other brands the signature Bose sound, while still maintaining other brands’ priorities. I’m not sure how that works as a business model, but it’s better than Sennheiser’s approach of dividing up the company into splinters, and it means that there’s better audio for more segments of the market, so I’m a fan.
The other part is how the Crusher effect has matured. The concept of Crusher is to make it so that you feel the bass. On the previous Crusher over-ear model that I tried, it was quite a concussive effect that made the music sound worse.

On this new Crusher 1080 ANC, it’s easy to turn the effect up and down depending on your mood and the genre of whichever song you’re listening to. More importantly, the Crusher is now less about violently vibrating your whole skull, and more about giving you the feeling of being on the barrier at a gig, and feeling the bass vibrate through you.
It reminds me of the first time I went to the Big Day Out: I was 12 years old, it was my first concert, and I just remember the feeling of walking up to the area outside the main stage and having the bass be so strong it reverberated through my chest and changed the way my heart felt. My ribs were vibrating in a new way. The music fully took over my body, and there was nothing I could do but surrender to it. Crusher is a gentler version of that, but it takes the personal listening experience to a whole other level.
With closed-back, audiophile headphones, I always talk about how it gives you the feeling of sitting in the middle of the band in the studio, an intimate listening experience. Crusher is the opposite of that; it transports me to the mosh pit, to a sweaty rave, to sitting at the drum kit with the wedges pointed directly at you as you play a show to a crowd singing along.
It’s obvious that these headphones were designed for dance music. That’s what shines the best, particularly with the Crusher effect.
Music tests
“Sissy That Walk” by RuPaul: The first thing that hits me on this song is how hard the bass hits with the full Crusher effect. I can close my eyes, and I’m in the club with all my friends. I can still hear the synths, and RuPaul’s voice is still super clear, but it has that distorted effect you get when the club has cranked the subwoofer up to max. It’s impossible not to dance along.
“One Second Of Insanity” by The Butterfly Effect: Turns out, Crusher is also great for metal and heavy rock. Once again, the Crusher effect has me feeling like I’m 14 years old sneaking into over-18 gigs.
Listening to “One Second Of Insanity” with Crusher on gives me this sensory memory of being at The Corner Hotel watching these guys absolutely crush this song. It also brings back visceral memories of feeling the reverb from my own kit when my cover band would play this song with far less skill but plenty of enthusiasm.
The bass drum is obviously at the forefront of the soundstage with the effect on, but the jingling of those open hi-hats is still so present. The bass guitar almost feels like a physical presence. Clint’s voice is perfectly recreated, going from being angelically smooth to a gravelly growl. On Skullcandy headphones, I expected everything to get dragged down and muddy with how the brand usually tunes the bass (and the added emphasis from the Crusher), but that’s just not a factor here. It’s as clean as you’d get at a show, which is dirty as hell, but I think what the company was going for.

With Crusher off, the headphones are still extremely good for this price point. Going back to my usual testing playlist, I can hear more than what I’d usually expect to hear from mid-range headphones, and certainly much more than I’d ever expect from Skullcandy.
“Simmer” by Hayley Williams: Yes, of course, the bass is still far more emphasised on other headphones, even without Crusher. But I can still hear the more delicate cymbal strikes, and most of the snare ghost notes. Williams’ voice is clear, and I can hear some of her little breaths.
“Georgiana” by Dario Marianelli: The idea of testing Skullcandy headphones with a delicate classical piano track would once have been laughable, but I am shocked by how well the Crusher 1080 reproduces this song. It’s beautiful, it’s delicate, and the mids and high tones shine just as brightly as the bass notes.
Unfortunately, the Bose spatial effect isn’t one I could hear clearly during the review period. I’m not sure if that’s a technical issue with my pair, or a broader issue with the technology, but it did not work for me. It’s no great loss for everyday music listening, though.
Comfort
These headphones are so soft. I can (and often do) comfortably wear them for hours. If I had to jump on an 18-hour flight tomorrow, these are the over-ear headphones I’d have in my bag alongside my AirPods Pro.

Noise cancelling
I’m writing this review on a plane, and I can no longer hear the person in front of me who has keyboard clicks on their phone. While I’m vaguely aware of the low hum of the engines, and now and then I can hear the ghost of an announcement over the PA, I can’t hear any of the conversations around me. I am shielded from the most annoying parts of commuting.
It’s perhaps not hitting the lofty heights of what I experience from Apple’s latest Gen 3 AirPods Pro, nor the Bose QuietComfort Ultimate. But enough of the external sounds are being covered that I’m impressed with the performance from this mid-range pair of over-ear cans.
The transparency mode is also very good. Not anywhere near the best in the business, but more than good enough for most uses.
Who is the Skullcandy Crusher 1080 ANC for?
These are the best headphones for people who want to feel the bass in their music. To be transported back to a live music venue while in the comfort of their own home or the discomfort of a commute.
At $399, these are in the territory of being someone’s main headphones for years, and so I am slightly cautious given there are better noise-cancelling options close to this price point. However, these are such good all-rounders for metal, dance and rock music fans that for those who want to feel the bass, it’s a worthy trade-off.
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