Apple has announced HomeView, a 7-inch smart display that brings music, FaceTime and smart home control together, and uses face recognition to switch between a shared household screen and each person’s own content. It runs Siri AI and goes on sale in Australia next month.
HomeView costs A$449 in tabletop or wall-mounted form. Pre-orders open today, with availability from Friday 13 November.
Apple also announced HomePod mini 2, a new Apple TV 4K and new smart home accessories, which you can read about here.
Tabletop or on the wall
The tabletop model pairs an aluminium 7-inch Liquid Retina display with a domed speaker base, joined by a stainless steel hinge that tilts for comfortable viewing. It comes in silver, starlight, rose pink and space grey, each with a matching cable.
The tabletop HomeView comes in silver, starlight, rose pink and space grey. Credit: Apple
Brightness adjusts automatically from 500 nits down to 0.3 nits, so it should suit a sunny kitchen bench as well as a bedside table. The interface also changes with distance, showing simpler information from across the room and more detail as you get closer.
The wall-mounted model, in space grey or silver, has the same screen and features with audio tuned for on-wall placement. It attaches with one of three Schneider Home mounts: the Power Mount USB-C Wall Connector (A$94.95) and Power Mount AC Wired (A$124.95), both available to order now, and the Power Mount PoE Wired (A$199.95), due in early 2027.
The wall-mounted HomeView, available in space grey and silver. Credit: Apple
It knows who’s in front of it
HomeView recognises up to six people by face, and each gets their own Home Screen with apps and widgets. Personal content from Messages, FaceTime, Calendar, Reminders and Find My appears only for the person it belongs to, while shared albums and music are available to everyone, including guests.
Apple says personal content is shown only when the enrolled user is recognised and their paired iPhone or iPad is present and recently unlocked. Camera and microphone data is processed in Secure Exclaves on the A18 chip, isolated from the rest of the system and inaccessible to apps or Apple.
Siri AI on a screen
HomeView ships with Siri AI in beta, in English, with Australia among the launch countries. Anyone in the home can ask general questions and have back-and-forth conversations, and with an Apple Intelligence-enabled iPhone or iPad, Siri can draw on your personal context across apps such as Messages, Calendar and Apple Music.
Conversations started on HomeView continue in the Siri app on your other Apple devices, synced privately through iCloud. Requests are processed on-device or through Apple’s Private Cloud Compute.
Sound and entertainment
The tabletop model uses two full-range drivers in the display for Spatial Audio, plus a down-firing woofer and two force-cancelling passive radiators in the base. The wall model uses two drivers.
It plays Apple Music with animated album art and lyrics, along with Apple Podcasts, Apple News, Apple TV and compatible third-party apps. You can hand off music from your iPhone by holding it near the display, and HomeView works in multiroom setups with HomePod and AirPlay speakers.
HomeView plays Apple Music with animated album art and lyrics, plus Apple Podcasts. Credit: Apple
Watch faces include a Photos face that can show a shared album as a live photo frame, a Flow face that reacts to movement, and a Snoopy face that changes with the time, weather and sport.
A selection of HomeView faces, including Photos and Snoopy. Credit: Apple
We haven’t been able to determine if there will be dedicated apps for the HomeView as of yet.
Calls, kitchen and family
FaceTime uses Centre Stage to keep people framed as they move. Intercom broadcasts messages to one room or the whole house, and a cooking mode turns web recipes into step-by-step instructions with hands-free timers. Find My lets you check on family members who share their location or locate a missing device.
HomeView handles FaceTime calls with Centre Stage, step-by-step recipes and smart home controls. Credit: Apple
A smart home dashboard
HomeView is also a home hub, controlling Matter and ‘Works with Apple Home’ accessories by touch or voice. The Home Camera face can show up to nine live camera feeds at once, and with an eligible iCloud+ plan, compatible cameras gain recognition of people, pets, packages and vehicles, plus Apple Intelligence descriptions of recorded clips. Like HomePod mini, it listens for smoke and carbon monoxide alarms.
It also works with Apple’s new Home Collection accessories, although those aren’t yet announced for Australia.
Pricing and availability
Apple HomeView (tabletop): A$449, silver, starlight, rose pink and space grey
Apple HomeView (Wall Mounted): A$449, space grey and silver
Schneider Home Power Mount USB-C Wall Connector: A$94.95
Schneider Home Power Mount AC Wired: A$124.95
Schneider Home Power Mount PoE Wired: A$199.95, early 2027
Pre-order now, available Friday 13 November
GadgetGuy’s take
Apple’s HomeView is a long time coming, and it looks like a pretty decent family friendly way of accessing information, entertainment and your personal details. We love the way it resembles an old school iMac mini, remember the one with the big silver hinge? The tabletop version looks like the one to choose given it has a more dynamic speaker system, with down-firing woofer and passive radiators, and you can decide to move it about your house rather than having it permanently stuck in one place. It would be nice to see a fully finished version of Siri AI, but given it is still in beta on iPhones, there is still some work that needs to be done.
We’ll be reviewing HomeView for GadgetGuy, so stay tuned for our full verdict.
The GoPro Mission 1 Pro is a big deal. Not only is it a drastically improved camera in terms of its sensor and image quality, it retains the rugged and compact body that people know GoPro for, but now it has a lot of cinematic capabilities as well.
I’ve had a chance to use the Mission 1 Pro here at GadgetGuy for a variety of filming jobs, including videos for the YouTube channel, as well as taking it out to see what it’s capable of.
And in a world where 360-degree cameras, gimbal cameras and our smartphones are offering incredible quality in a compact package, the question remains whether this type of camera is still relevant in a creator-driven market. Let’s find out.
GoPro Mission 1 Pro specifications and price
Sensor and processor
1-inch sensor, GP3 processor
Lens
f/2.8, 159° field of view; SuperView, Wide, Linear and Linear + Horizon Lock digital lenses
The Mission 1 series now sits at the top of GoPro’s range, above the HERO13 Black. GoPro describes it as a compact cinematic camera system and pitches it on four points: the image quality of modern pro cameras, the portability of a compact point-and-shoot, the durability of an action camera and cinematic capabilities for professionals.
There are three models. The Mission 1 (A$949.95) and Mission 1 Pro (A$1,099.95) share a fixed f/2.8 lens with a 159-degree field of view, while the Mission 1 Pro ILS (A$1,099.95) swaps the fixed lens for a Micro Four Thirds mount and is weatherproof rather than waterproof. All three use a 1-inch sensor and GoPro’s new GP3 processor.
The Pro adds 8K at 60fps, 8K Open Gate, 4K at 240fps and 1080p at 480fps, plus a 960fps Burst Slo-Mo mode. Compared with the HERO13 Black, that’s a much larger sensor (1-inch versus 1/1.9-inch), 50MP photos instead of 27MP, double the maximum bit rate at 240Mbps, and waterproofing to 20m instead of 10m without a housing.
New kits
[Update] GoPro has since launched three Mission 1 Pro kits. The Ultimate Creator Edition (A$1,849.95) adds the Fluid Pro AI gimbal, Wireless Mic Complete Kit, Light Mod 2 and Mission 1 Series Media Mod. The Creator Edition (A$1,699.95) includes the Media Mod, Volta 2 Battery Grip and Wireless Mic Complete Kit. The Mountain Bike Bundle (A$1,219.95) adds a Handlebar/Seatpost/Pole Mount and Chesty chest mount.
How we tested it
For testing, we updated to the latest firmware and tried out the Mission 1 Pro in a variety of scenarios. Compared with DJI’s Osmo Action cameras, earlier GoPros were known for superior resolution but suffered when it came to low light. So I took the Mission 1 Pro out on a walk at dusk and took photos and videos until the sun set and it became dark, lit only by the moon and streetlights.
The Mission 1 Pro was very handy on our car shoot, and produced stable, usable footage. Credit: Valens Quinn
We also took the Mission 1 Pro on a recent EV shoot, where we mounted it both inside and outside our test vehicle to capture footage, and we used it on a robot pool cleaner video for some underwater filming. There are so many uses for the Mission 1 Pro, including as an action cam, a vlogging camera or a stills camera on holidays, so unfortunately we couldn’t test every scenario.
In terms of settings, we tried a range, including high and low frame rates, GoPro’s GP-Log2 log profile, 8K60, 8K Open Gate and 4K240 slow motion.
Low light: dusk and night
In general, the 1-inch sensor is a big factor in low-light performance, and the Mission 1 Pro is definitely improved over its predecessors. For photos, you can shoot in 12MP mode rather than 50MP, making use of pixel binning to allow for better low-light sensitivity. I found that photos captured much more detail than the last GoPro I tested, and there was considerably less noise.
Examples of low-light photography – there’s minimal noise and good detail in darker areas. Credit: Valens Quinn
While there was noise visible in the darkest shots and videos, you can scale the noise reduction (the Denoise setting) up or down. For video there is a Low Light mode; however, I didn’t see a huge difference in the final footage when using it, other than the preview being brighter. That’s not to say this camera can see in the dark, because it can’t, but it is certainly a much more usable unit if you need to shoot in low light. Also, when taking stills, you need to be mindful of holding the camera still for a few seconds to allow for its longer exposure.
This photo demonstrated how well the Mission 1 Pro captured fine detail in dusk light. Credit: Valens Quinn
When I was walking around, I tried out the different HyperSmooth stabilisation modes. There are a few, including On, which really crops in on the sensor for maximum stabilisation, and AutoBoost, which only crops in when it needs to. I found that AutoBoost was the most practical. It does a good job of smoothing out the jitters from walking, but it doesn’t completely eliminate the motion, which makes it more realistic. I didn’t notice any dramatic wobbling caused by the stabilisation algorithm either.
This is a still from a video captured at dusk showing minimal noise in the sky and there’s still detail visible in the darker areas. Credit: Valens Quinn
Another still from a 4K video shot at dusk, showing the big improvements in low-light performance thanks to the 1-inch sensor. Credit: Valens Quinn
[Update] Since our testing, GoPro has released a free firmware update that rebuilds the Mission 1 series photo experience. It adds Rapid Photo for zero-lag shutter response, Continuous Shutter (hold the shutter for more than 100 photos at 12MP or more than 20 RAW photos at 50MP), a buffer indicator and an updated shutter sound.
Underwater: robot pool cleaner shoot
For our underwater shots, this was just in a swimming pool, and we mounted the Mission 1 Pro on an extension pole. We didn’t use an underwater housing as the pool wasn’t that deep, although the camera does go down to 20 metres without needing one. We followed the robot pool cleaner around while it vacuumed the bottom and sides. The footage was vibrant, colourful, clear and sharp. We also enjoyed listening to the audio captured, which was a surprise, as the underwater noise really complemented the footage.
Various underwater and above water shots captured by the GoPro Mission 1 Pro. Credit: Valens Quinn
The only challenge we found was that you can’t use Wi-Fi underwater, so we couldn’t monitor the footage from the app or reframe the crop. Instead, we relied on the 2.59-inch rear display, as the 1.4-inch front display was a little too small to see from a distance. It also seemed like the screens always turned off a little too soon. Thankfully, you can tap them to turn them back on, or extend the timeout in the Screen Saver setting.
On the road: electric car shoot
Moving to the car shoot, most of this was done in 4K using the Natural colour profile. We mounted the Mission 1 Pro on a suction cup mount, and the stabilisation did a good job of smoothing out the road bumps. We used the preview on our iPhone with the GoPro Quik app and were able to zoom in to adjust our framing before hitting record; however, once recording, you can’t change the zoom level. The footage was bright and crisp, with nice colours, and we used the Wide digital lens here, which sits between the wider SuperView and the narrower Linear, to take in more of the action.
The Mission 1 Pro managed our bumpy and dusty roads, producing smooth footage and dynamic range. Credit: Valens Quinn
I was quite surprised at the range we were able to get between the phone and the camera. There were times when we were two car lengths away and the preview on the iPhone was still connected.
[Update] GoPro has also updated its Mission Monitor app for iPhone and iPad, adding a histogram, waveform, RGB parade, false colour and wireless connectivity.
Inside the car, we used a combination of artificial and natural lighting on the driver, and the dynamic range of the Mission 1 Pro seemed quite good, retaining detail in the darker areas without blowing out the highlights, which was a common challenge when we were driving around on a sunny day. Stabilisation was also useful here, and the footage was nice and smooth.
Inside the car you can see the Mission 1 Pro mounted on the windscreen.Actual footage captured by the GoPro Mission 1 Pro.
We also used the Horizon Lock feature here (the Linear + Horizon Lock digital lens) to keep everything nice and square. And while we didn’t end up using any footage with it, Subject Tracking is another way to ensure the camera stays locked on the talent, even if they move left or right in the frame, as it digitally moves with them.
The front-facing screen was useful here to help us set up the framing, and we started and stopped recording using GoPro’s voice control, which meant we didn’t have to reach for the camera for each cut.
Image quality and lens
Overall, I was quite impressed with the footage from the Mission 1 Pro. It looks great, and low light is certainly better than any GoPro I’ve used before. The 1-inch sensor plays a big part in this, and the f/2.8 lens is versatile, with a 159-degree field of view to work with. And for really maxing out the resolution, you can shoot in 8K or 8K Open Gate, both of which can produce some stunning footage. The ability to shoot 4K at 240 frames per second is also fantastic for creative effects or slowing down high-energy action shots. If you want to, you can even crank it up to 480 frames per second in Full HD, or a 960 frames per second burst, although I didn’t try these.
The fish-eye lens look helps fit more of the scene in, or you can go for a linear mode to straighten up the lines. Credit: Valens Quinn
Cutting the GoPro footage into our timelines and matching it with our Canon C80 and DJI Osmo Pocket 4P didn’t create any problems. We tried to shoot in log as much as possible, and DaVinci Resolve is such a powerful grading tool that we could match things up quite easily.
Yes, an action cam does have a signature look with its fisheye-type lens; however, you can choose to shoot with the Linear digital lens, which straightens the lines for a more cinematic look. And the stabilisation tools, including HyperSmooth and 360-degree Horizon Lock, are very handy when you need them.
There are so many modes to choose from, including Open Gate 8K! Credit: Valens Quinn
Audio and mounting
For audio, we used a separate mic and lav system, although you can also use GoPro’s own wireless microphone with the Mission 1 Pro. We only used the audio captured by the camera’s internal mics to sync with our main microphone track. I was, however, impressed to see that the Mission 1 Pro can record 32-bit float audio, which is a lifesaver when it comes to very dynamic audio, as it doesn’t clip.
There are plenty of great accessories, and the Mission 1 Pro uses the same GoPro mounting fingers as its predecessors, so there are lots of options for attaching the camera, including helmets, handlebars, suction cups, sticks, gimbals and much more.
Point-and-Shoot Grip
When walking around, I also used the Point-and-Shoot Grip (A$154.95), so the GoPro felt more like a conventional compact camera. The grip is comfortable to hold, and the shutter button is in a more natural place, although it’s a bit strange when you press it because it isn’t really a button but rather a lever.
The camera grip is nice to hold and adds some extra protection and mounting points for accessories. Credit: Valens Quinn
The grip also provides a couple of cold shoe mounts, which can be handy if you want to attach an external mic. You can remove part of the handle to expose a mount for positioning the camera in portrait mode, and there’s also a 1/4-20 thread at the base for attaching to a tripod. The grip can be removed quickly, and you still have access to the USB-C port and memory card without removing it entirely. It also adds a bit of extra protection, just in case.
You can detach the camera handle and shutter lever while keeping the protective side plate, which can also be used for vertical mounting. Credit: Valens Quinn
Battery life, design and everyday use
I was impressed with the Mission 1 Pro’s battery life. We would often get three or four hours of shooting in direct sunlight on 25-degree-plus days. And as our kit came with two batteries, we could easily swap one for the other and charge it up so we could keep shooting.
I think it has a solid design as well, and the screens are quite bright when you are up close to them and easy to operate. The Mission 1 Pro is also quite sturdy, and the metal rig that comes in the box is really strong, so it should be able to be knocked around a fair amount.
Getting the MicroSD out requires fingernails. (Left). The menu adjusts for vertical shooting automatically. (right) Credit: Valens Quinn
The only frustrations I found were that the microSD card is very difficult to remove, and when I plugged the camera into my Mac with a USB-C cable, it would never enter a media transfer mode. That meant I had to remove the microSD card, put it into an SD card adapter and then into my Mac Studio. Perhaps there’s a setting I didn’t find, but otherwise I should be able to transfer my footage by plugging it into a computer.
Otherwise, the menus can be a little counterintuitive at times, but with a little practice they become easier and quicker to use.
How it compares
Here’s how the Mission 1 Pro stacks up against GoPro’s previous flagship, the HERO13 Black, and DJI’s Osmo Action 6.
Specification
GoPro Mission 1 Pro
GoPro HERO13 Black
DJI Osmo Action 6
Sensor
1-inch
1/1.9-inch
1/1.1-inch
Aperture
f/2.8
f/2.5
f/2.0 to f/4.0 variable
Maximum field of view
159°
156°
155°
Top video resolution
8K 60fps, 8K Open Gate 30fps
5.3K 60fps
8K 30fps
4K maximum frame rate
240fps
120fps
120fps
1080p slow motion
480fps (960fps burst)
240fps
240fps
Log profile
10-bit GP-Log2
10-bit GP-Log
10-bit D-Log M
Maximum bit rate
240Mbps
120Mbps
120Mbps
Photo resolution
50MP
27MP
38MP
Stabilisation
HyperSmooth, 360° Horizon Lock
HyperSmooth 6.0, Horizon Lock
RockSteady 3.0, HorizonSteady
Waterproof (no housing)
20m
10m
20m
Rear screen
2.59-inch touch OLED
2.27-inch touch
2.5-inch OLED
Front screen
1.4-inch
1.4-inch
1.46-inch
Battery
2150mAh
1900mAh
1950mAh
Built-in mics
4, 32-bit float
3
3
Internal storage
None (microSD)
None (microSD)
64GB plus microSD
Weight
207g
159g
149g
Price (AUD)
A$1,099.95
A$649.95
A$669 (Standard Combo)
Who is it for?
Overall, I have access to a number of different compact cameras, including an Insta360, the DJI Osmo Pocket 4P and my iPhone 18 Pro Max. For social media videos, I could reach for any of them, and I didn’t think the Mission 1 Pro would add much to the equation. However, after using it, I value its versatility and not having to worry about breaking it (or drowning it), unlike the Pocket 4P’s delicate gimbal, or having to use proprietary software to frame up my shots, as with the Insta360. This means I can get my footage onto the timeline faster, with less work or worry. And the Mission 1 Pro’s 1-inch sensor means I get a great-looking image, with so many modes and very impressive capabilities like 8K, 4K slow motion, Open Gate and 50MP photos.
The GoPro Mission 1 Pro is a big step up on previous models, and it’s earned a place in my kit bag. Credit: Valens Quinn
I am also intrigued by the Mission 1 Pro ILS, with its interchangeable Micro Four Thirds lens mount. Having different lens options could really take this camera to the next level, and I see that it’s currently sold out on GoPro’s Australian site.
So will this replace the other cameras in my kit bag? Probably not, as each is specialised for a certain purpose, but the Mission 1 Pro is definitely an all-rounder that can stand by itself, and will of course be perfect for action outings, holidays and even professional shoots.
Frequently asked questions
Is the GoPro Mission 1 Pro waterproof?
Yes. The Mission 1 Pro is waterproof to 20m without a housing. The Mission 1 Pro ILS, which takes interchangeable Micro Four Thirds lenses, is weatherproof only and needs a housing underwater.
How much does the GoPro Mission 1 Pro cost in Australia?
The Mission 1 Pro is A$1,099.95 from GoPro’s Australian online store. The standard Mission 1 is A$949.95 and the Point-and-Shoot Grip is A$154.95.
What is the difference between the GoPro Mission 1 and Mission 1 Pro?
Both use a 1-inch sensor and an f/2.8 lens with a 159-degree field of view. The Pro adds 8K at 60fps, 8K Open Gate, 4K at 240fps, 1080p at 480fps and a 960fps Burst Slo-Mo mode.
Is the GoPro Mission 1 Pro good in low light?
In our testing it was clearly better than previous GoPros, with more detail and less noise thanks to its 1-inch sensor. Some noise remains in the darkest scenes, and you need to hold the camera steady for night stills.
Does the GoPro Mission 1 Pro shoot log video?
Yes. It records 10-bit GP-Log2 footage, which we found easy to grade and match with cinema cameras in DaVinci Resolve.
How long does the GoPro Mission 1 Pro battery last?
GoPro quotes up to 1.5 hours of 8K30 recording and more than three hours at 4K30. In our testing we often got three to four hours of shooting on hot, sunny days.
GoPro Mission 1 Pro
A true all-rounder
The Mission 1 Pro keeps GoPro's toughness and adds a 1-inch sensor, 8K and 4K at 240fps, making it far more capable in low light and for cinematic work than earlier GoPros. Fiddly card access and menus aside, it suits action, travel and professional shoots.
How often do you update your tech, and is it worth it? For those who can afford it, a new mobile phone every year is a thing. Some people update their car after three years. Then there is the rest of us.
I have used the same primary pair of wireless earbuds for about four years and am still very happy with them. Yes, I have reviewed other pairs, but these have always worked the best. When I got the chance to review the Sennheiser Momentum True Wireless 5 earbuds, I jumped at it, as I wondered what has been improved on these top-end headphones.
Sennheiser Momentum True Wireless 5 features
The Sennheiser Momentum True Wireless 5 are positioned as a high-quality set of earbuds with advanced noise reduction for calls and playback. In the box, you will find the earbuds in their charging case, a USB-C cable, a tool to help replace the battery and four different-size silicone ear tips. The Momentums are available in five colours: Graphite, Cream, Copper, Denim and Lavender.
Box contents. Image: Angus Jones.
Sennheiser’s earbuds last up to 12 hours without the charging case, and up to 40 hours with it. Charging takes approximately 1.5 hrs for a full charge. Usefully, after eight minutes of charging, you will get one hour of music playtime. You can charge the case via USB cable, with the option of wireless charging.
Connection to your devices is via Bluetooth 6.0, and for maximum fidelity, the earbuds support a lossless codec delivered through a 7mm dynamic speaker. This means a reliable connection and fantastic sound. Audiophiles will appreciate support for SBC, AAC, aptX, and aptX Adaptive/Lossless codecs.
IP54 weather resistance means the earbuds can handle a light rain shower and limited dust. So, you can use these buds in most situations, but avoid getting them too wet.
Automatic wind noise reduction and AI-powered voice isolation ensure clear calls for the other party, while adaptive noise cancellation combined with an ear canal-sealing silicone ear tip ensures the user has peace when required. A transparency mode lets you hear conversations with the earbuds still in place. This feature, along with play/pause, skip, volume, etc., is controlled by tapping the side of the bud.
Image: Angus Jones.
This product is the pinnacle of current earbud tech, and a couple of features will help it last longer. The first is ‘Find Headphones’, which is a tracking technology that will help you find an earbud if you misplace it. Second, these earbuds have user-replaceable, rechargeable batteries that extend the buds’ lifespan. A special tool comes with the headphones to enable this replacement, so keep it somewhere safe.
The Momentum True Wireless 5 works with iPhones, Android phones, tablets, and PCs. You can also control the earbuds via the app, where you can personalise the sound. This includes tuning the sound for voice or different music styles. The earbuds can even automatically adjust settings as you go from work to the gym to home.
A feature I like is a test routine in the app that checks whether you are using the right-sized silicone ear tips to maximise the earbuds’ effectiveness.
I do want to point out that I can compare these earbuds to others to hear the difference in the sound quality. You are unlikely to have this privilege, and you’re unlikely to be able to listen to earbuds in a retail store (due to hygiene).
Even though the Momentum True Wireless 5’s have such small-sized speakers compared to over-ear headphones, I am pleased to report that the sound quality is excellent. The sound’s richness and bass quality were a step up from the old top-end earbuds I have been using.
Image: Sennheiser.
While I’m talking sound, these earbuds also have Dolby Atmos spatial audio. I really want to like this feature, which can move the sound as you move your head, but I don’t. It works well, and if you are listening to a podcast, the voice comes from the same direction as you move your head, but I also feel this feature degrades the voice.
Every week I phone my mother as I walk the streets near my home. I find this to be the best real-world test of phone calls on the go via headphones. I have cars, trucks, lawnmowers, etc as well as wind. These headphones are the first to provide a proper noise-isolation effect for my mother to hear me clearly. They are so good that she could still hear me when I walked past a garbage truck, where it was so loud I could not hear her even with ANC active.
Noise cancellation didn’t block the garbage truck completely, but a combination of the form-fitting silicone ear tips and the ANC (active noise cancellation) smarts blocks most noise. On a recent international flight, they did a great job, to the point that I probably will not travel with full-size headphones again, as the size makes it so much easier. I did have a connection issue that caused some clicking when connecting to the seat-back entertainment, but I believe that was a Qantas issue, as I had no such issue when I connected to my smartphone on that same flight.
The noise transparency can be set at different levels, essentially letting you detune the background noise around you. One setting actually amplifies outside noise louder than your own hearing, which is a bit like a bionic ear and helps you hear more.
If there was a feature I would change, I’d like a dedicated button on the buds to interact with them. I find the tap a bit hit-or-miss, which you do get better at over time, but I’d still prefer that reassuring click. In fairness, the Sennheiser engraved logo is the place you need to tap.
Who is the Sennheiser Momentum True Wireless 5 for?
The Sennheiser Momentum True Wireless 5 are at the top rung of earbud headphones, and you would compare them to the Sony WF-1000XM6. With replaceable batteries and codec support, the Sennheisers will give you a longer life for your money. This may seem like a lot to spend on earbuds, but if you listen a lot, they are a great investment.
The phone call quality is excellent, and in my experience, these earbuds deliver what others have promised for years but failed to deliver around hearing and being heard. I have found my new earbud replacements.
Sennheiser Momentum True Wireless 5
With superb sound quality, great noise cancellation and an excellent microphone, the Sennheiser Momentum True Wireless 5 is a true all-around set of earbuds.
